![]() Sonically, BASSYNTH is an absolute monster. So there’s filtering, delay and reverb as well as some more unusual effects like rotator, tape and bit crushing. ![]() Each Insert and Master Effect slot can be loaded with any one of 20 effects Modules, many featuring multiple FX sub-types within them. Next up is a Modular Effects System that lets you load up to 6 unique Insert Effects per voice, alongside 6 Master Effects, and 2 Send Effects. it’s a great way to quickly assign modulation sources and targets around the instrument though initially, I would recommend a read-through of the manual (this applies more generally too, since this is a very flexible instrument) so that you get the most out of it. Selecting a Modulation Source highlights the selection, and then the available parameters for the selected Modulation Source appear in the left-hand panel of the Modulation Tab. You also get a powerful modulation system, with three ADSR envelopes and four LFOs, as well as Velocity, Key-tracking, Aftertouch and Pitch-bend Modulation. You get to assign 8 unique controls to any 8 macros to control up to 64 parameters for performance or creative sound morphing. The drag and drop system means these are pretty easy to get to grips with once you have worked out the process. Simply click on the macro area to reveal a slide-over control window which also features MIDI learn for quick assignment. Each of the 290 bundled presets has macros pre-assigned to best suit the patch in question and provide access to the most useful parameters. Moving down the interface you will find a Macro section, where you can freely assign multiple parameters to up to 8 Macro Knobs for performance, sound design, morphing or Motion Sequencing. it’s also polyrhythmic, meaning you can mix and match speeds and lengths across parameters for much more interesting results. This is a quick way to animate your patches when notes are held and of course it can be controlled so you can have different pattern lengths, expand each lane out for more precise control over the parameter changes and so on. The final edit page is Motion, where multiple step sequencers can be programmed to add movement to multiple parameters including space, bend, intensity, power and more. Then there’s a Mix section where you can submix, pan and assign send effects to any voice. The next subpage in the Design section is Tone, where you can shape and crush the sound as well as using EQ. As is often the case with randomisation, using these more often than not has pleasing results and helps you to come up with new sounds you might not have reached by endlessly twiddling controls yourself. You will also find small dice buttons - these are also found elsewhere in the instrument - for quickly punching in random settings. ![]() The first sub page here is Engine where you get tuning, start, stretch and ADSR controls for each of the four voices, amongst a range of other parameters. Moving to the second page you find the Design section, where the building blocks of each voice can be modified. It’s safe to say you’re unlikely to run out of options any time soon. All have been meticulously sampled and the inclusion of more esoteric sounds alongside the synths and wavetables means you have a near-infinite palette of sounds to mix together and choose from. These are grouped by category and cover a huge range of sounds from synths, oscillators and wavetables to 808s, bass guitars and noises / transients. Each of the 4 voices also has a quick level slider associated with it, so you can submix them very easily.Ĭlicking on the name of any of the voices opens its source browser and from there you can load any one of the 800+ crafted multi-sampled Sources, Oscillators or Wavetables. Here you find a large X/Y grid that enables you to morph freely between the four different sound slots, with each one able to be switched on or off to create as simple or as complex a sound as you desire. The first one you come to, and the most instantly playable, is the Perform section. From there you get access to its many different features and sections. nki instrument and it loads in Kontakt’s interface. After downloading and authorising, you navigate to the single. Wave Alchemy’s Bassynth is a 12GB sampled instrument with extensive synthesis features that runs in the full or free versions of NI’s Kontakt. It sounds amazing and there are near-infinite sound creation possibilities that you can quickly perform and shape. Ask.Audio's Verdict: Bassynth is a supremely powerful bass sampled / synth instrument.
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